We have got to talk about the kids
in all those Goosebumps books.
For example,
if your family vacation
is to an amusement park
called HORRORLAND,
and your station wagon explodes
in the parking lot upon arrival,
maybe
shrugging it off,
buying an extra large popcorn,
and heading straight for
The Deadly Doom Slide
is not your best possible
course of action.

Or,
if you steal a weird camera
from your creepy neighbor’s basement
and every picture you take
shows bad things happening,
like decapitation
and Tofurkey,
and then all the bad things
from the pictures
start happening,
Stop Taking Pictures.

Or,
if you move into your new house
and there are a bunch of small children already living in your bedroom
that your parents cannot see,
maybe,
don’t just grab a juice box
and go play in the cemetery
that
is
in
your
backyard.

Or,
when I tell you of the ghosts
that live inside my body;
When I tell you
I have a cemetery in my backyard
and in my front yard
and in my bedroom;
When I tell you
trauma is a steep slide
you cannot see the bottom of,
that my anxiety is a camera
that shows everyone I love as bones,
when I tell you
panic is a stubborn phantom,
she will grab hold of me
and not let go for months–
this is the part of the story
when everyone is telling you to run.

To love me
is to love a haunted house–
it’s fun to visit once a year,
but no one wants to live there,
and when you say,
“Tell me about the bad days,”
it sounds like all the neighborhood kids daring each other to ring the doorbell,
you love me
like the family walking through Horrorland holding hands–
You are not stupid,
or careless,
or even brave,
you’ve just never seen
the close-up of a haunting.

Darling,
this love will not cure me.
And this love will not scrape
the blood from the baseboards,
but it will turn all the lights on,
it will bring basil
back from the farmer’s market
and it will plant it in every windowsill,
it is the kind of love
that gives me goosebumps,
when you say to the ghosts,
“If you’re staying,
then you better make room,”
and we kiss against the walls
that tonight are not shaking,
so we turn the music up
and we dance to Miles Davis,
and you say,
“My god,
this house.
The way that it stands
even on the months
that no one goes into
or comes out of it.”

How reckless, the way that I love
like the first chapter of a ghost story.
Like the gentlest hand
reaching out of a grave.

BRENNA TWOHY.